Must-See TV for Writers

As a writer, I love TV shows that use intricate plots and settings to show the ups and downs of being human in a less-than-perfect world. As a crime writer, I am especially fond of shows in the mystery genre. Regardless of the genre, the best TV features conflict as a common denominator.

The following are my top picks:

Cast of As Time Goes By from BBC

As Time Goes By (1992-2005) was a BBC-produced romantic comedy of manners about Lionel and Jean, who were lovers in their youth only to be separated due to a communication failure (communication issues dog every relationship, don’t they?). But they meet up again thirty eight years later and resume their relationship, in fits and starts.

As Time Goes By portrayed well-drawn characters in relationships that were very real. The humor was natural and not manufactured. Lionel and Jean loved each other, despite occasional minor conflicts. My husband and I share the same affectionate marital banter that Lionel and Jean enjoyed. Their story has gladdened the hearts of romantics everywhere.

I try to emulate this tone and interaction for my characters. Most stories have a romantic component and my Hazel Rose Book Group mysteries are no exception.

Beck is a Swedish police procedural, based on the novels of Maj Sjöwall and Per Wahlöö. The characters are sharply drawn, from the plodding, methodical Martin Beck to his hot-tempered, politically incorrect partner, Gunvald, a loose cannon if ever there was one. The writers allow the characters to grow throughout the series, giving them plenty of opportunities to reveal their humanity, warts and all. There is violence, especially when Gunvald gets involved, but it’s not on a par with the Girl with a Dragon Tattoo series.

Writers can learn much about creating riveting stories and compelling characters from watching Beck.

Downton Abbey Talk about conflict! This acclaimed British period drama revels in it. It’s educational to see how the fast-paced stories keep us glued to our seats. The secret, I believe, is to supply each character with back-to-back personal challenges, whether they be related to money, marriage, death, birth—the list goes on.

Midsomer Murders Don’t be fooled by the idyllic-looking county of Midsomer—its murder rate beats that of any urban area. Passions run high and evil lurks everywhere. Midsomer Murders is a slightly quirky British detective drama based on the crime novels by Caroline Graham. The main characters enjoy satisfying relationships, and the guest characters tend to be eccentric and harbor pasts (and often presents) ridden with secrets and scandals. They are often involved in the arts, academia, and the occult: painters, actors, writers, professors, fortune tellers, etc.

I especially liked the episode “Written in Blood,” where murder took place in a writing group.

Miss Marple Ah, the beloved Miss Jane Marple, created over eighty years ago by Agatha Christie. The elderly spinster lives a quiet life in the village of St. Mary Mead—quiet until a villager is murdered and that happens with alarming regularity. Miss Marple nails the murderer(s) every time, using her powers of observation. Sometimes she disguises her shrewdness with a dithery manner. Living in a village, she is well-acquainted with the vagaries of human nature, and she can always draw a parallel between the latest crime and a villager, or village incident.

There are countless adaptations of the stories and a number of actresses have played Miss Marple. Joan Hickson is my favorite as she best matches my picture of how the character looks, acts, and speaks.

Agatha Christie has influenced many crime writers over the years, especially with plot development. I expect that she’ll do so indefinitely. I think the Columbo character played by Peter Falk often channeled Miss Marple, with his bumbling ways that concealed a sharp mind.

From Wikipedia

Taggart, one of the UK’s longest-running series, is an unflinching police drama from Scotland. I rent the DVDs from my local library. The story lines are intricate as are the personal relationships of the recurring and guest cast members. I enjoy the depictions of the relationships, many of which are unenviable and riddled with friction between characters who are far from perfect. Twists and turns in the plot culminate in the killer, or killers, being identified. More often than not the end comes as a stunning surprise.

These gritty stories are set against Glasgow’s grand architecture.

In my estimation Taggart is a must-see show for crime writers.

Touched by an Angel was a popular American series that ran for nine seasons. I’ve long been attracted to stories of people who have reached turning points in their lives. Sometimes they’re between a rock and a hard place. As they’re grappling with personal demons, conflict, and tough choices, along comes an angel in human form to guide them and impart God’s wisdom.

This show inspired me on many levels. At the beginning of my debut mystery, Murder at the Book Group, the main character, Hazel Rose, is standing at a crossroads. She is at loose ends in her life and is hard pressed to make even the smallest of decisions. Solving the victim’s murder gives her the opportunity to grow and get out of her rut.   

Writers can get inspiration from many more great shows: Brokenwood, Janet King, Inspector Morse, Maria Wern, Wallander, West Wing, and Winds of War/War and Remembrance are just a few.

Tell us your favorites.