Friday, January 30, 2015
Wednesday, January 28, 2015
|Amy M. Reade|
We’ve all heard of Boucheron and Left Coast Crime and lots of other big-name writers’ conferences out there that attract writers, readers, agents, editors, and publishers.
And we’ve been told countless times that we need to attend such conferences. Going to conferences allows us to meet other authors, fans, readers who haven’t been introduced to our work, and entire networks of people who just might be interested in helping us further our careers.
But all this networking can be really expensive. There’s air fare, hotel fees, meals, the cost of attending the conference itself, and, possibly, the cost of membership in one or more of the groups that sponsor the conference. Then, if you’re an author, there are the added costs of author swag and books for purchase.
I can hear some of you now: “You’ve got to invest in yourself.” “You’ve got to spend money to make money.” “You can write it off.”
That’s true. You do have to invest in yourself, you do often have to spend money to make money, and you may be able to write it off. But sometimes the money just isn’t there.
That’s why I’ve written this blog post, to talk about just a few of the smaller regional conferences that are out there. Smaller conferences often have a smaller registration fee and take place in smaller towns and cities where it’s cheaper to stay and cheaper to eat. And since they’re not as cumbersome as the national conferences, they provide many more opportunities to meet and mingle with the stars of the show—the authors, editors, and agents who also attend.
There are lots of regional conferences, so in the interest of space I’m only going to highlight a few.
New England Crime Bake: an annual conference that focuses specifically on New England crime and nonfiction writers. It’s held just outside Boston. Note, membership in Mystery Writers of America or Sisters in Crime is not necessary, but will allow you to pay a discounted registration fee. www.crimebake.org
Suffolk Mystery Writers Festival: the second annual festival will be held in August, 2015. Last year’s attendees included twelve well-known and best-selling mystery writers, an editor, and an agent, as well as several hundred avid readers. This is free and open to the public and located very near Colonial Williamsburg, VA. www.suffolk-fun.com/play/suffolk-mystery-authors-festival-2014/.
Sleuthfest: an annual conference to be held this year in Deerfield Beach, FL. Features fabulous speakers, social events, and several sessions on the crafts of writing, publishing, and marketing. Note, membership in Mystery Writers of America will allow you to pay a discounted registration fee. www.sleuthfest.com.
Midwest Writers Workshop: an annual event held in Muncie, IN, that features intensive sessions for specific genres and general sessions for writers of all genres. There are opportunities for meeting agents and social media tutoring. www.midwestwriters.org.
Kentucky Women Writers Conference: an annual event held in Lexington, KY, which celebrates women’s contributions to the arts. The conference features publishing advice, sessions on fiction, memoir, and poetry, among other topics, and manuscript consultations. www.womenwriters.as.uky.edu.
AWP Conference: an annual conference featuring the publishing industry, cutting-edge writing, and a list of other topics far too long to print here. Takes place in Minneapolis, MN. www.awpwriter.org.
Historical Novel Society Conference: a bit pricier than most of the others I’ve listed here, this is an annual conference that focuses specifically on historical novels. It will be held in Denver, CO. There are sessions on trends in historical women’s fiction, self-publishing and cover art design, primary sources, and many more great topics. www.hns-conference.org.
Women Writing the West: the annual conference will be held in Redmond, OR, from October 8-October 11, 2015. Has featured sessions on writing the authentic West, Apache place names, Western writing for children, publishing, and writer communities. www.womenwritingthewest.org.
Write Now!: a conference specifically focusing on crime fiction, this one is held in Arizona, so it’s great for writers from the Southwest. www.desertsleuths.com.
Alaska Writers Guild Conference: a great regional conference featuring manuscript critiques, timely publishing topics, and sessions with editors, agents, and best-selling authors. www.alaskawritersguild.com.
One important note: many conferences provide scholarships for attendees who cannot afford the registration fee. By all means, if there’s a conference you’d love to attend and you simply cannot afford it, go to the conference website and find out whether there are scholarship opportunities.
I’m sure you all know of lots of other small, regional conferences. Please share them in the comments!
Thursday, January 22, 2015
#1 The stress of no longer inhabiting a cave in my head but being "out there"--anathema for an acutely private person like me.
#2 Writing the dreaded second book in fear and trembling, only to see it mired for years in...
#3 The meltdown of my first publishing company amid the hysteria of hundreds of its writers bombarding the public Internet and private loops with "the sky is falling" messages. I could not watch. I could not look away. For two whole years.
#4 The first one-star review, on Goodreads, from a "friend".
#5 Looking on at the publishing industry's painful transformation as all the rules changed and kept changing.
#6 And worst of all: becoming so frozen by it all that I could not write for long stretches.
So what came next on the chaotic publishing front? Signing that first book with Amazon's Montlake imprint and actually getting the occasional royalty statement. Starting my own micropress (now at 15 titles, 10 of which are mine under various names) and getting small but increasingly regular royalty statements from there too. Going against the advice to stick to one genre and writing whatever I wish. Being published in respected journals and getting shortlisted for a lit prize.
Most important of all, I'm writing most days. I now understand viscerally (I took a while to really get this) that since the only variable I can control is the writing, I should make that my unrelenting focus. I get the occasional editing job, which I also enjoy. And from September, if all goes as planned, I'll be teaching again--part time, of course. Writing must come first, whatever the hell is happening on the publishing front.
After those tumultuous years, I finally feel like I'm in a good place. It's not about money, because that is still quite scarce. It's about doing the work, being thankful for my blessings every day, feeling some measure of control over my life, enjoying the present, and looking to the future with optimism instead of fear. *knocks on wood* Now if only I could get this exercise thing on track...
What has your writing journey been like? Do you feel that you're in a good place now?
Friday, January 16, 2015
Have you ever heard this expression? It’s okay if you haven’t, as a casual perusal of the internet tells me that this particular declaration doesn’t seem to exist in too many places beyond the confines of my own head. Can that be right, though? I’m not buying it, if for no other reason than I’m just not that innovative when it comes to coining new phraseology.
In our fast-paced, non-stop, cat-eat-dog-because-dog-is-too-slow world, being able to focus on one task at any given time more often than not is a luxury. Now, unless you’re like one of those performers on Venice Beach who juggles running chainsaws while hopping on one foot and reciting Miley Cyrus lyrics as Shakespearean soliloquies*, you’re probably not actually doing more than one thing at any one time.
However, chances are that you’ve got your attention divided among multiple demands on your time and energy. You almost certainly have some kind of “To Do List,” which never seems to let you mark any one thing as being “Done” without first requiring you to add two or more items to accomplish.
As you read this, I have two novels I’m working on (one a solo effort; the other a collaboration with my longtime writing partner). Thankfully, they represent completely different genres, so the risk of me conflating the two is minimal, though it does make for the occasional interesting dream. I’m also working to finish the proposal/outline for another novel, and the typeset pages for the novel that will be published later this spring are now awaiting my attention.
Elsewhere around my writing plate, I have two short stories to write between now and mid-April, an essay, and another book project which came about over the holiday season. Proposals for two more novels that I’ll write later this year are also in the queue, and another one is lurking in the shadows, trying to sneak into the line when it thinks I’m not looking.
And even as I sit here thinking I’ve got a lot going on and I’m getting things done, I know other writers who maintain an “operational tempo” that makes me look like a slacker.
This isn’t me complaining, by the way. I’m loving every minute of this. Well, almost every minute.
When I left my “regular” day job back in the fall, my intention was to become a full-time writer. As I pondered this notion last summer while preparing for the transition, I was concerned that I wouldn’t be able to secure enough work to replace the salary I’d be losing. As I sit here, halfway through the first month of 2015, I’ve stopped worrying about that potential problem, at least for the moment. After so many years of pulling all-nighters and weekends to keep up with everything while working at my other job, I finally have so much more time (and energy!) to devote to my writing.
I’m still learning how to manage my schedule so that I can keep all of these wonderful balls in the air, but I’ve found a routine or rhythm that’s comfortable for me. I work on one project in the morning, and another in the afternoon. To borrow from Captain Barbosa, that’s more of a guideline than an actual rule and subject to change, of course, particularly if I’m on a roll while writing a scene and don’t want to stop.
I’m still a bit of a night owl and don’t typically go to bed before midnight, so things like reviewing edits or notes or writing pieces such as this blog post usually take place after dinner and after the kids have gone off to bed. I keep track of where I am with respect to each project, but I don’t sweat things like missing a day’s work on a given story, as I know I can move things around and make up for any lost time as necessary.
Yeah, there are a lot of moving parts to track, but I knew the job would be dangerous when I took it. Besides, I’m having more fun with this whole writing thing than I’ve had in years.
Are you a writer who works on more than one thing at a time, or do you prefer to focus all of your intentions on a single story until it’s “done?” If you do work on multiple projects, what are your tips and tricks for keeping the various trains on their tracks?
* = Description of Venice Beach performer changed to protect his identity. He actually was reciting Kelly Clarkson lyrics, but don’t tell anyone.
Saturday, January 10, 2015
I had an interesting experience with my WIP, perhaps not an unusual one, but definitely new to me. I had this one planned out. I knew where the story should go, what I wanted to say. For me, getting to know the characters is key to my writing so I did character sketches, lived with my characters, and tried to really get inside their heads--the protagonist, his two buddies, his nemesis, his dad, his buddies' parents--I had it all covered. But still it went nowhere. I could not get past certain points in the plot. Then I realised the issue.
There was one character that I had not considered, had not spent time with, had not got to know at all ... the dead guy. You see the story begins with the protagonist's brother already dead and the reality is that the story spins around him and why he died and to understand why he died I have to get to know him.
It seems like every novel comes with its own challenges and idiosyncrasies. What are some unusual challenges that you have faced in writing?
Wednesday, January 7, 2015
Friday, January 2, 2015
2014 was filled with personal trials. I saw my baby sister succumb to her battle with cancer, just six months after my oldest brother died suddenly. The saying, “What doesn’t kill you make you stronger,” is quite true. Despite the pain, I am stronger for it.
2014 was also filled with triumphs. I saw my 11 year old blossom into a full fledged author with the publication of our first children’s book “Zapped! Danger in the Cell.” It is the first in the “Small World” series of science adventure novels featuring the memorable and mischievous characters Giselle, Lynelle, Sonya and Justin who get shrunk and enter microscopic worlds. Since then we’ve done book fairs, school presentations, blog interviews, print, radio and television interviews. With each interview, with each promotional activity, I could see growth in both of us. I have learned to utilize Facebook as a media marketing strategy and I am still learning to navigate those waters.
So what’s in store for 2015? No, I won’t make a resolution, but if God permits, I hope to return to my roots with the publication of my multicultural romance, “Hurricane of the Heart.” I hope to see second book in the Small Worlds series published. Finally, I hope to do a lot more writing.
2013 was rough, 2014 was tough, but I hope 2015 would give me enough… enough joy, enough sunshine, enough love, and enough rain so I can appreciate every moment that I have breath. So today, the dawn of 2015 I am beginning anew. I am pressing forward into the year with lots of plans, and hope for the future.
And for you who read this post, I wish you a bright and prosperous New Year. May you have success in your endeavors whether you achieve your set goals or not. May you find happiness in whatever you do. May God bless you throughout the coming year. Happy New Year.