I have to admit that I have a fascination with the lazy sociopath. I think anyone who has read The Sociopath Next Door also is. These are people who have figured out that what they really want out of life is to get by doing as little as humanly possible, and they will tell any lie, commit any crime as long as it get them to that goal. When they have accomplished that goal, they will hurt you just to hurt you.
So many writers understand this kind of evil so well. When these characters are done well, they give us a clear insight into the kind of selfish thought process that produces petty evil. For grand evil, you have to read fantasy -- I mean Stalin and Hitler levels of brutality.
I don’t like evil characters who know they’re evil and keep going anyway because they’re turned on by it. That might be realistic, and it might not be, but that character is too easy to hate and adds no complexity to the story. And so many great writers have captured that self-serving impulse that allows them to ignore the fact that they’re doing bad things.
Here’s a list of some of the best.
Lawrence Block’s Keller from the Hitman series has such a low-key charm that we forget that what he’s doing -- killing people for money -- is a really terrible thing to do. But Keller doesn’t see it that way. He has techniques that allow him to stop thinking about his crimes, and as he does, we do too. And anyway, the people he’s killing all seem bad. And just as we’re settling in comfortably with the logic of his crimes, just as we are all right with his bad because he’s not so bad, Keller kills a nice couple just living their lives so their heir can get the insurance, or he kills a completely innocent woman because he’s been hired by her husband. And we realize that Keller’s just in it for a little bit of money, and that we too have been bamboozled by his logic. A brilliant character.
I think I am the only person in the world who believes that Jack Ryan from Elmore Leonard’s The Big Bounce is Leonard’s best. What I like about it is the way Jack is portrayed. He sees himself as a kind of lovable loser who is just stealing from rich, evil people anyway. Once again, we kind of agree, but he’s conning people, he’s hurting people, and he’s stealing from people just for the “bounce,” the thrill of it. It’s a great way to explore the pettiness that goes into petty theft.
James Cain understood the petty evil of selfishness about as well as anyone. The Postman Always Rings Twice is possibly the best look at this face of evil that anyone has ever done. All the characters are focused on themselves. They are all sociopathic. It is a revelation about how poisonous that kind of self-centeredness can be. It is interesting too that Cain never makes evil fun or alluring, at least not to me. He paints it with all the pointless pain and humiliation as these kinds of people bring to themselves and those around them.
What is memorable about Sue Grafton’s novels isn’t the petty evil surrounding her, but the beauty of Kinsey Milhone’s life. Her small circle of friends is wonderful, and we all want to return to that place again and again. Her friends are her refuge, but that refuge is such a relief because Kinsey is surrounded outside of it by people who will commit unspeakable acts for a little bit of gain. They hurt others for a little money or just because hurting people is fun. Grafton captures this idea so very well. My favorite? I’m not sure. To me these are all equally strong, and I’ve read most many times.
My favorite moment of dumb, stupid evil however is the pointless selfishness of Terry Lennox in the Raymond Chandler’s masterpiece The Long Goodbye. There is no sense to what Lennox does. He puts Philip Marlowe in the worst possible situation just because it’s easier for him. He’ll do anything he can to avoid a little work, and sometimes, he seems to hurt people for sport. Chandler captures people well here and in all of his work.
What these writers are telling us, as so many great writers do, is that this kind of petty evil is everywhere. The author of The Sociopath Next Door makes the claim that one out of every twenty-five people is sociopathic after all. They are telling us we are likely to run into this brand of evil over and over, and the way to push our way through it is to maintain our own sense of moral courage. They are saying rising above all of that is the way to be heroic in this world.
I guess that’s one of the big reasons I love this genre so much.