Showing posts with label conferences and conventions. Show all posts
Showing posts with label conferences and conventions. Show all posts

Friday, February 1, 2019

Be Aware Who's In the Room!

Novel Spaces is in its 10th year! Over the coming months we'll be featuring some of the most popular posts from our archives. This one was first published February 14, 2015.


By Sunny Frazier

This is my favorite anecdote from my career so far.

There used to be a small writers conference called Bare Bones. The San Diego Sisters in Crime put it on and it was in a church camp in the hills of Julian, CA. The site has since burned down in one of the forest fires.

I was pretty distraught when I walked in to register. My friend J.A. (Judy) Jance was talking to someone and she motioned me over. She wanted to know why I looked so upset.

I told her that a week ago, I'd sent two of the narc detectives I worked with to go check out a chemical drop from a meth lab at one of the Indian rancherios. I was getting phone calls that children were playing in the river where the chemicals were seeping. On the way to the site, another call came from dispatch that a man was chasing his parents around with an ax. My detectives were the closest in the area and they responded. One of the detectives shot and killed the man.

"Today's the day he's coming back to work and I feel I should be there, not here," I explained to Judy. "They said it was a good shoot but what's a good shoot to a young Mormon kid?"

"Honey, sit with us and talk," said her companion.

I really didn't glance at the woman, but I declined. She insisted, patting the seat emphatically. I finally turned to look at her.

"You're Sue Grafton," I exclaimed.

"Yes, I am. Now honey, just sit right down and tell me all about it."

The rest of the conference she kept me close. She wanted to come and visit my narcotics team, but that's not allowed. Not even if you are the #1 female crime writer in the world.  


Tuesday, March 27, 2018

More Talk About Swag


            Beginning in April, I’m going to need some author swag. (I wrote a post about swag last July—read it here—and since I’m always thinking about it, I’m writing another one)

            Here’s the thing about swag: have you ever bought a book because of the stuff the author gave away with it? Do you even remember most of the swag you’ve been given?

            My husband’s theory on swag is as follows: “I don’t know why you bother. No one buys books because the author gives away pens or bookmarks or anything else. They buy books based on word-of-mouth if they don’t already know the author.”

I’m paraphrasing (except for the first sentence, which is a direct quote).

He makes a good point, but there’s more to the argument than just getting people to buy books. There’s the name recognition factor, which has to be worth something, right?

Right?

A lot of the swag I pick up is at conferences. The piles of postcards, business cards, bookmarks, pens (see aforementioned July post—I cancelled my pen order), flyers, etc. seems endless, and there’s something to be said for an author who can think outside the box and give away something that stands out. One especially memorable giveaway was a seed packet printed with the author’s book cover. The main character is an organic farmer, so that swag makes perfect sense and I won’t forget that author’s name (Wendy Tyson, by the way).

Last year I gave away little packets of Scottish shortbread attached to postcards for Highland Peril, my book set in the Scottish Highlands (see aforementioned July post for some lovely photos). I’d like to think that was a great idea, but I’m basing my opinion on my obsessive love of shortbread.

At Christmastime I gave away handmade gift tags as swag. They were stamped, inked, sparkled, buttoned, and beribboned, and I thought (and still think) they were perfect. I was promoting a Christmas novel, so the giveaway had to have a Christmas theme, too.



And that, I think, was the best swag I’ve given out. It was themed, fun, and—best of all—handmade. I wrote my website URL in tiny letters on the back of each tag so that people could locate the brilliant artist who created it.

So I think I’m sticking with handmade swag for my upcoming appearances. I haven’t decided yet what I’ll make; maybe I’ll do more gift tags, maybe bookmarks, maybe something completely different. Sure, it takes a little longer, but I’m amazed at how much fun I have making things to give away. And it’s cheaper to make my own swag, too, which is always good. And finally, I can tailor the swag to individual events. I hope people find my handmade giveaways memorable.

What do you think? Any ideas for handmade swag? Do you have giveaways when you make an appearance at a conference or other author event? What kinds of giveaways do you prefer?

Sunday, October 30, 2016

Guest author Cyndi Pauwels: Writing Workshops

C.L. (Cyndi) Pauwels
Author of  Forty & Out
I’ve been to any number of writing conferences and workshops over the years, and I’ve learned there are certain gatherings that will send me home with a renewed confidence in my work. Others simply drain my enthusiasm, leaving me tired and discouraged. And like any new experience, a conference can be intimidating. What should I look for? How do I choose? Will I fit in? Granted, I’m a confirmed introvert (like many writers I know), so after the initial adrenaline rush, large gatherings exhaust me quickly.

My favorite writing conference in both size and format is the venerable Antioch Writers’ Workshop (31 years and counting!*). I dreamed of it from afar for many years before finally attending in 2009, and the 120-150 person week-long summer session is perfect for me. AWW also offers a fall retreat, a spring one-day craft seminar, and free monthly mini-seminars at the local Books & Co. September through May.

While smaller, more intimate getaways are wonderful, too, they can be fraught with their own peril (I have to share what I’ve written?!). But they can be a good start for novice writers in other respects. I was reminded of that just two weeks when I had the pleasure of staffing the fifth annual AWW fall retreat – an intensive weekend with fifteen writers and two dedicated faculty members. We gathered in a lovely secluded environment with three great meals a day, comfy beds, lots of wine (we are writers!), iffy wifi (which can be a good thing) – and writing time. No interruptions from children, dogs, chores…what bliss!

Several of the participants were new to the world of writing workshops, and their apprehension took a bit of time to ease. But as they realized they were surrounded by like-minded individuals, by people who really understood their struggles with characters and plots and language, who didn’t think they were odd to talk about the voices in their head, their relaxation was visible. They’d found their tribe. It was such a joy for the veterans among us to welcome these enthusiastic newbies to the fold, and after three days of small group discussion, writing prompts, and time to work on our own projects, we all went home energized and motivated.

That’s what a good writing workshop should offer: time together, with fellow writers who understand the journey we’ve chosen; and time alone, to ponder, and imagine, and refill that creative reservoir. We can debate the finer points of class settings versus panels, public readings versus quiet writing time, but ultimately, it’s about community.

Writing is such a solitary endeavor that any time we can find that place to gather with those who understand us, to share thoughts and craft and ideas and encouragement, we need to take advantage of that. A good conference/workshop isn’t about competition and showmanship and sales numbers. It’s about supporting the world of books and writing that we all hold dear, and helping each of us to find our niche, to be successful writers in whatever definition of that term we choose.

After my seven-year relationship with AWW, I continue to be awed and humbled by the camaraderie and warmth offered from the talented and generous faculty as well as from the eager participants. The relationships forged during those sessions carry on into the world beyond AWW, creating ripples in the Dayton, Ohio, literary community and beyond for a long, long time. The “Antioch magic” so many alums speak of is very real.

And at whichever writing event you choose to attend, I hope you find that same magic.

The core of my writing community: the hardworking behind-the-scenes
folks of the 2016 Antioch Writers’ Workshop
(front: Dara Cosby; back, left to right: Matt Garrett, Executive Director
Sharon Short, Jan Irvin, Cyndi Pauwels (that’s me!), and Lori Fetters-Lopez). 
Guides to writing conferences:


*Disclosure: after four years as a workfellow, I was appointed Assistant Director of AWW in 2014

Monday, October 17, 2016

From Bouchercon to Fall Fest

By Linda Thorne

Just finished up today with the Southern Festival of Books in Nashville, Tennessee. Great annual local event, but I'll talk about that next month. As far as the recent Bouchercon in New Orleans, Amy Reade did such a good job covering it last month on her post, I'm only going to mention it in passing.


I do want to invite every one of you to join me when I talk about the convention in its New Orleans setting in more detail on another blogspot, Make Mine Mystery, this coming Thursday.

My next gig after returning from Bouchercon was to share a tent with about eleven other authors at Fall Fest, right here in Hermitage, the little suburb of Nashville, Tennessee where I live


Fall Fest was a weekend (October 1st and 2nd) of spectacular presentations from artisans of all varieties. Art, music, history, craftsmanship. The event was held at the well-known Presidential Site of ex-president, Andrew Jackson, his home and the acres of vintage farm land and structures. It's a must-see for tourists to the Nashville area.

Here I am below with some other local (middle Tennessee) authors. From left to right is Bryce Thunder King, me, Blake Fontenay, Tom Wood, Ken Vanderpool, Dr. Sally Burbank, Jaden (Beth) Terrell, and Nikki Nelson-Hicks. We had a tent and met lots of readers. Many bought our books. 


Here are a few more photos:

  

Thousands showed up. Local people and folks from all over. I found myself humming a very old Neil Diamond song, "Pack up the babies and grab the old ladies and ev'ryone goes."

Perfect weather. Cool, dry, and lots of fun. I plan to be there again next year representing local authors at Fall Fest at the Hermitage.

http://www.lindathorne.com

Sunday, August 28, 2016

Snag a Magazine Gig

Making a living as a novelist is tough. This has been established. So we need to get creative.

At a recent Writers' Digest Writers' Conference, I attended a number of sessions on freelancing. They focused on pitching ideas to magazines. These were really useful and included tips on avoiding the slush pile, formatting your email submissions, locating a magazine's editorial calendar, and so on.

I came out of these sessions with a lot of useful information but no idea what to write that would tie in to my work as a novelist. I was amazed at how much attention is given to the 'author's platform.' Apparently you are expected to have ten gazillion followers on twenty different platforms to rate as an author--but that is a matter for another blog post. The point is that if you are freelancing to draw in readers and build your platform, you need to write material that links to your novel writing.

Then I happened into a session by Kerrie Flanagan. (I was actually in the session next door and snuck out--along with at least six other people--because it was so boring). She is an author, writing consultant, publisher and an accomplished freelance writer with over 17 years experience and hundreds of published articles. Her step-by-step tutorial on how to build your author platform through magazine writing was extremely useful. In her interactive workshop she instructed us to select themes from one of our books and then come up with article ideas based on the themes. So, for a frivolous example, if you wrote a book in which the protagonist loves blue grass music, you could write an article about the history of that music or its importance in a particular culture as seen through the eyes of a modern day young person, and submit it to a magazine whose readers would be interested in such an article. Your book could be the credentials that you need to get your foot in the door with the article and the article could draw readers to you and your book. Win-win!

One of these days, soon, I promise, I will give it a try... ;-)

Monday, August 22, 2016

The Family You Choose

         On August 12th I had the pleasure of attending the third annual Suffolk Mystery Authors Festival (SMAF) in Suffolk, Virginia. It’s a one-day festival celebrating all kinds of mysteries, from cozies to paranormal, from noir to thrillers. There’s something for every mystery lover.

Me in Suffok

             I wrote a bit about this festival on Novel Spaces back in 2015 (http://novelspaces.blogspot.com/2015/01/guest-author-amy-m-.reade-those-other.html), but I want to give it a little more space today. 

            The first big difference between the SMAF and other, larger, festivals is that there is no registration fee for authors. Having shelled out hundreds of dollars at the bigger conferences only to find myself lost in a sea a gazillion other authors, this has a strong appeal for me. I’m not saying that the SMAF will always be free for authors to attend, but for now it’s a bargain that can’t be beat.

            The second big difference between SMAF and many other festivals is that it’s free for readers and fans, too. My husband was recently charged $185 to attend a conference with me, just so he can see what a writers’ conference looks like. Again, this perk at the SMAF has a strong appeal for my family. There is one caveat to the SMAF: there is a VIP Meet & Greet before the panels begin on the day of the festival, and currently the cost for a reader to attend is $20 (including hors d’oeuvres)- it’s free for the authors. It’s a great opportunity for readers and authors to mingle and chat for an hour before the real business of the festival begins.

            Third, there is a limited number of authors who are able to attend the SMAF. Due to space considerations, the author limit was thirty this past weekend. There may be an increase in the number at some point in the future, but this cap on author numbers helps foster the friendly, even cozy, atmosphere at the festival.

            And that brings me to my next point, the most important of all, which is that I’ve never felt as blessed to be an author as I do at the SMAF. I connect with readers and writers I only get to see in person once or twice a year, and from the moment the authors get there on Friday night to the closing dinner we share on Saturday night, I feel like I’m with family.


This is me with Katie Kelley, the Suffolk Tourism Development Manager and best hostess ever!

            The SMAF hosts panels much like you’d find at any other festival, but here’s the difference: for the most part the panelists know each other (often from prior visits to the SMAF) and their panels become more of a friendly discussion than a series of nervous questions and answers.

            And the building where the SMAF is held- don’t even get me started. It’s an old high school that now houses the Suffolk Center for the Cultural Arts. Think soaring ceilings, light-filled classrooms where authors hold readings and workshops, and a gorgeous restored theater where the panels are held.  The author signings take place in an art gallery. The paintings and photos only add more character to a space that is already steeped in history.

            And speaking of history, the authors and their families are treated on Friday night to an historical tour of some sort in Suffolk- last year it was a Ghost Walk, this year it was a tour of a stunning 19th-century home that once belonged to generations of one of the most prominent families in Virginia.   

            If you want to learn more about the SMAF, you can visit their website at http://www.suffolkmysteryauthorsfestival.com/. I encourage you to try to attend someday, whether you’re an author or a fan of mysteries.

You’ll be glad you did.

Tuesday, May 5, 2015

Lit Fest & Novelnaut meet-up

Author panel at Bocas Lit Fest, May 2, 2015 in Port of Spain
Gadabout social butterfly that I am, I managed to completely avoid the Bocas Lit Fest every year since its inception. This year I had to be there come hell, high water or the onslaught of any of my usual avoidance impulses, and for two very good reasons: Carol Mitchell, my fellow Novelnaut, and Vaughn Stanford, my friend, first reader and publishing client, were featured authors this year. I made it on the second to last day and had such a good time my only regret is that I didn't attend at least one other day. On to Bocas 2016!

Metropolitan
Bookstore's display
Bookstore chat
I had a long and sobering chat with the proprietor of an independent bookstore who has been very supportive of my work from the get-go. He said that sales are terrible (yes, everywhere), and the talk got around to a particular bookstore chain that continues to snub local writers unless they are already big names in the business. That chain snubbed me back in 2008--twice--and I've heard similar stories from other writers. Very unwise of said chain, since the books are in the big stores internationally and people can just get on their devices and order online. Way to cut your own throats, boys!

Celeb sightings
The legend Earl Lovelace himself, imposing as always in head-to-toe white; Nalo Hopkinson who set my groupie friend L'Oreal all a-twitter with adoration; and NYT bestselling spec-fic writer Tobias S. Buckell who hails from Grenada.

Liane Spicer & Carol Mitchell, with Gulf of Paria in background
Shout-outs
I 'bounced up' several familiar faces, including my old UWI classmate, Chad Cumberbatch, who's now the Arts Minister in Montserrat. You go, Chad! Also met Kirk B. who will be joining the "Word Warriors" on our writers' retreat in July.

In a rare burst of maturity,
Vaughn ordered this drink from
the children's menu. 
Party!
We had our own little 'afterparty' at a seafront bistro on the Chaguaramas peninsula. Vaughn, L'Oreal, Isaiah and I started proceedings while Carol Mitchell and her charming friend Patti spent a lot of time driving around Chaguaramas (it was night by then) looking for the turnoff to our spot. Just so happened that the sign I told them to look out for was unlit so they never saw it. We eventually located each other and it was a blast! I'm here to tell you that Carol is every bit as lovely as she appears online. Writers, writer talk, book talk, coconut water and she-crab soup... It was bliss and I can hardly wait for the next Novelnaut meet-up. Who will it be, I wonder?

Cheers!

Liane :)

Saturday, February 14, 2015

Be Aware Who's In the Room!

This is my favorite anecdote from my career so far.

There used to be a small writers conference called Bare Bones. The San Diego Sisters in Crime put it on and it was in a church camp in the hills of Julian, CA. The site has since burned down in one of the forest fires.

I was pretty distraught when I walked in to register.My friend J.A. (Judy) Jance was talking to someone and she motioned me over. She wanted to know why I looked so upset.

I told her that a week ago, I'd sent two of the narc detectives I worked with to go check out a chemical drop from a meth lab at one of the Indian rancherios. I was getting phone calls that children were playing in the river where the chemicals were seeping. On the way to the site, another call came from dispatch that a man was chasing his parents around with an ax. My detectives were the closest in the area and they responded. One of the detectives shot and killed the man.

"Today's the day he's coming back to work and I feel I should be there, not here," I explained to Judy. "They said it was a good shoot but what's a good shoot to a young Mormon kid?"

"Honey, sit with us and talk," said her companion.

I really didn't glance at the woman, but I declined. She insisted, patting the seat emphatically. I finally turned to look at her.

"You're Sue Grafton," I exclaimed.

"Yes, I am. Now honey, just sit right down and tell me all about it."

The rest of the conference she kept me close. She wanted to come and visit my narcotics team, but that's not allowed. Not even if you are the #1 female crime writer in the world.  

Wednesday, January 28, 2015

Guest author Amy M. Reade: Those Other Conferences

Amy M. Reade
Amy M. Reade is the author of two novels of romantic suspense: Secrets of Hallstead House (Kensington Publishing, July, 2014) and The Ghosts of Peppernell Manor (Kensington Publishing, April, 2015). She is currently working on her third novel. A resident of New Jersey, she hopes to attend several writers’ conferences this year. You can find her online at www.amymreade.com (website), www.amreade.wordpress.com (blog), www.facebook.com/amreadeauthor, and @readeandwrite on Twitter. 





We’ve all heard of Boucheron and Left Coast Crime and lots of other big-name writers’ conferences out there that attract writers, readers, agents, editors, and publishers.

And we’ve been told countless times that we need to attend such conferences. Going to conferences allows us to meet other authors, fans, readers who haven’t been introduced to our work, and entire networks of people who just might be interested in helping us further our careers.

But all this networking can be really expensive. There’s air fare, hotel fees, meals, the cost of attending the conference itself, and, possibly, the cost of membership in one or more of the groups that sponsor the conference. Then, if you’re an author, there are the added costs of author swag and books for purchase.

I can hear some of you now: “You’ve got to invest in yourself.” “You’ve got to spend money to make money.” “You can write it off.”

That’s true. You do have to invest in yourself, you do often have to spend money to make money, and you may be able to write it off. But sometimes the money just isn’t there.

That’s why I’ve written this blog post, to talk about just a few of the smaller regional conferences that are out there. Smaller conferences often have a smaller registration fee and take place in smaller towns and cities where it’s cheaper to stay and cheaper to eat. And since they’re not as cumbersome as the national conferences, they provide many more opportunities to meet and mingle with the stars of the show—the authors, editors, and agents who also attend.

There are lots of regional conferences, so in the interest of space I’m only going to highlight a few.

New England Crime Bake: an annual conference that focuses specifically on New England crime and nonfiction writers. It’s held just outside Boston. Note, membership in Mystery Writers of America or Sisters in Crime is not necessary, but will allow you to pay a discounted registration fee. www.crimebake.org

Suffolk Mystery Writers Festival: the second annual festival will be held in August, 2015. Last year’s attendees included twelve well-known and best-selling mystery writers, an editor, and an agent, as well as several hundred avid readers. This is free and open to the public and located very near Colonial Williamsburg, VA. www.suffolk-fun.com/play/suffolk-mystery-authors-festival-2014/.

Sleuthfest: an annual conference to be held this year in Deerfield Beach, FL. Features fabulous speakers, social events, and several sessions on the crafts of writing, publishing, and marketing. Note, membership in Mystery Writers of America will allow you to pay a discounted registration fee. www.sleuthfest.com.

Midwest Writers Workshop: an annual event held in Muncie, IN, that features intensive sessions for specific genres and general sessions for writers of all genres. There are opportunities for meeting agents and social media tutoring. www.midwestwriters.org.

Kentucky Women Writers Conference: an annual event held in Lexington, KY, which celebrates women’s contributions to the arts. The conference features publishing advice, sessions on fiction, memoir, and poetry, among other topics, and manuscript consultations. www.womenwriters.as.uky.edu.

AWP Conference: an annual conference featuring the publishing industry, cutting-edge writing, and a list of other topics far too long to print here. Takes place in Minneapolis, MN.  www.awpwriter.org.

Historical Novel Society Conference: a bit pricier than most of the others I’ve listed here, this is an annual conference that focuses specifically on historical novels. It will be held in Denver, CO. There are sessions on trends in historical women’s fiction, self-publishing and cover art design, primary sources, and many more great topics. www.hns-conference.org.

Women Writing the West: the annual conference will be held in Redmond, OR, from October 8-October 11, 2015. Has featured sessions on writing the authentic West, Apache place names, Western writing for children, publishing, and writer communities. www.womenwritingthewest.org.

Write Now!: a conference specifically focusing on crime fiction, this one is held in Arizona, so it’s great for writers from the Southwest. www.desertsleuths.com.

Alaska Writers Guild Conference: a great regional conference featuring manuscript critiques, timely publishing topics, and sessions with editors, agents, and best-selling authors. www.alaskawritersguild.com.

One important note: many conferences provide scholarships for attendees who cannot afford the registration fee. By all means, if there’s a conference you’d love to attend and you simply cannot afford it, go to the conference website and find out whether there are scholarship opportunities. 
I’m sure you all know of lots of other small, regional conferences. Please share them in the comments!


Monday, December 17, 2012

So, It's Your First Convention As A Guest?

Congratulations, up and coming writer! You’ve just received your first invitation to attend Convention X as an author guest. This is great news! You’re going to spend a day or three (or four) in the company of supposedly similarly-minded individuals, where the focus of many panel discussions, casual hallway conversations, and raucous diatribes offered in the hotel bar all will revolve around topics of mutual interest and passion. Pack wisely, don’t forget your toothbrush, wear comfortable shoes, and hydrate.

Oh, and here are a few other tidbits of hopefully helpful advice, offered from the perspective of one writer guy who’s participated in programming and activities at all manner of conventions from the local one-day affair all the way to the Pop Culture Mecca itself, San Diego Comic-Con. I personally believe that these infonuggets apply whether you’re attending your first convention or you’re a seasoned con pro.

The first, big piece of advice I can offer is for you to just Relax, and Be Yourself. You’re a pretty interesting person already. Even if you don’t believe that, others do, which is why you’ve been invited to the convention. Readers and fans come to meet authors at these shin digs because they want to get a little insight into the person who wrote those books they love so much. So, give them You, not some “persona” you’ve created for the con circuit. Be approachable. Make with the chit-chat, be it with other guests, fans who arrive early for panels, people with whom you’re waiting in line for your morning coffee, whatever. Also, it’s a well-known fact that the best and most fun conversations between writers—or writers and editors, or writers and agents, or even the Trifecta of Awesome that is writers, editors and agents cohabitating—happen in the bar, or at a room party after the day’s activities are concluded, so be sure to seek out these venues.

This leads us right to Act Like A Professional. Yes, you’re at the con as an “Author Guest,” which should never be confused with “Egocentric Boob.” Be humble, as well as polite and considerate of the other guests. Don’t monopolize panel discussions or other conversations. Be engaging and respectful of the fans, who are paying to be there, and don’t hassle the con staff. In fact, I’ll repeat that one: Don’t Hassle the Con Staff. Those people are volunteers working long hours. They were at the hotel before you showed up and they’ll be there after you go home. In between, they’re bringing you food or something to drink or getting you to your scheduled activity or helping with the crowd control at your panel or book signing. Let those folks know at every opportunity that their work’s appreciated. The short version? Be the kind of guest the con wants to invite back next time.

If You’re Not On the Panel, You’re Not On the Panel. Few things at a convention are as irritating as someone from the audience at a panel discussion doing his or her best to be a part of the action. The people sitting at the front table are running the show. They’re driving the discussion, and they’re the ones who decide when and how to engage the audience. When someone else asks a question, don’t try to get in the middle of them and the panelists in order to offer your take on the matter. Maybe you should’ve been up there instead of that other guy and it’s an egregious sin that you got overlooked, but it happened, so let the panelists do their jobs.

Going hand in hand with this is Don’t Oversell Yourself. You’re there as a guest, with a badge identifying you as such, so pretty much everyone you encounter knows why you’re at the con. Editors and agents know that writers of every stripe will be seeking them out all weekend, which is why you’ll usually find these folks in the hotel bar. There will be times and places for promoting yourself and your work. Panels, for the most part, aren’t that time or place, whether you’re in the audience or sitting up front. Yes, you’ll have the opportunity to introduce yourself and provide some brief background, and maybe at the end the moderator will give you a chance to pimp your new book. Otherwise? Don’t bring copies of all your books to decorate the panelists’ table. The fans have programs, and they know when and where to find you for signings, your table where you’re selling your books, and all that good stuff. In related news, every handshake with another writer or an editor or agent isn’t your cue to pitch them your latest book or concept. Keep it casual; the conversation likely will turn to that sort of topic on its own, and maybe an editor or agent will express interest in seeing something. Otherwise? Keep your manuscript in your Bag of Holding.

Okay, just to keep everything in perspective, remember that it is a convention, and it’s supposed to be fun. Therefore, Don’t Be Afraid to Be A Fan. Writers are fans of other writers, to say nothing of the TV or movie guests who might be in attendance if it’s that kind of show. It’s perfectly okay to get your book or photo autographed or to take advantage of offered photo opportunities. Don’t forget to check out the dealer’s area, and pay particular attention to those vendors offering items they’ve hand-crafted. Some of that stuff is simply beautiful. As for other writers, don’t be afraid to find them at their table in the dealer’s area or author’s alley or whatever and introduce yourself. Get your copy of their new book signed. Buy more books from them, even. Just don’t try to turn the tables and sell your stuff to them. That’s what your table and signings are for.

Take Care of Yourself. There’s always something going on at a convention, even long after the scheduled activities are done for the day. Parties and after-hours programming, or just hanging out in the hotel bar or restaurant while catching up with friends and colleagues. It’s easy to lose track of simple things like getting enough sleep or making sure you’re eating right. One suggestion from writer David Gerrold on my Facebook page when I solicited input on this topic was to follow what he calls the“6-2-1” rule: At least six hours of sleep per night, at least two meals per day, and and at least one shower per day. Indeed, I consider showers at conventions to be a moral imperative. Experienced con veterans know what I’m talking about.

Oh, and here’s another pro tip for use at conventions and any other signings—one that sounds like a no-brainer but often is overlooked by first-timers: Don’t Use Your Legal Signature. Develop something to use just for these activities, and make it distinctly different from the one you use to sign documents, checks, and so on.

Oh, and you’re a writer, so Remember Your Pen. The rest of us beat that “Look at me! The writer without a pen!” joke into glue ages ago.

All right, I’ve rambled on way too long. This list should, if all goes according to my Master Plan, be just the tip of the Advice Iceberg. Who’s got more helpful pointers?

Tuesday, December 11, 2012

Ten Things I Learned at Men of Mystery


On Saturday, November 17, I had the great pleasure of participating in the thirteenth annual Men of Mystery conference in southern California.  As one of the invited “gentlemen of this genre” I, along with fifty other men of mystery (each more talented, more accomplished, wealthier, and better looking than me) spent the day talking with mystery lovers from all walks of life.  I had a blast.  Here is what I learned:

1) I felt honored to be surrounded by best-selling authors, and I felt honored to be surrounded by readers who cared enough to shell out some money and dedicate the better part of their day to their favorite genre.  Without them, we couldn’t do what we do.

2) For reasons I cannot truly fathom, standing in front of a crowd talking about myself is vaguely terrifying.  I am a college professor.  I stand in front of rooms of people all day long, and it doesn’t bother me at all.  But talking about my books made me self-conscious.

3) That being said, I came to celebrate my archaeological mystery American Caliphate, and I was going to do right by my book, my publisher, myself, so I had to work up some nerve.  If you want to know how I did that, see number 4.

4) As I was writing my speech that morning, I had the TV on and I saw a news item about the singer Taylor Swift.  I am not aware of having ever listened to a Taylor Swift song, but she looks to be quite young, somewhere between eleven and nineteen years old.  And there she was on TV as comfortable as could be.  And I thought to myself, if an eleven-to-nineteen year-old girl can stand up and talk without fear, then so can I.  And so I did.

5) Hotel breakfast buffets are overpriced, but you wind up with way more bacon than would otherwise have been likely.

6) Sitting at a table autographing copies of your book feels pretty great.  I am grateful to everyone who stopped by to say hi or to let me sign their copy of my book.  I wanted to hug every one of them, but I think I would have gotten in trouble.

7) Nobody thinks its funny when you offer to autograph a book that someone else has written.  I offered to do just that on several occasions, and I chuckled each time.  But I chuckled alone.

8) Taylor Swift is actually pretty cute.

9) No matter how famous or well-known, or no matter how obscure and unread you are, you have to work it.  Publicity is vital if you want to make it in this line of work.  To that end, if you’d like to learn more about American Caliphate, or my other mysteries, or if you just want to earn frequent flier miles, please visit my website - www.williamdoonan.com

10) I am a man of mystery.  On November 17, I felt like a real writer.  I still do.

Monday, February 13, 2012

News And Shameless Self-Promotion

Now that Devon Archer has moved on from Novel Spaces, we will have occasional empty blogging slots that our writers will use for promotion and news.

I believe I am the first to take advantage of this opportunity, and I have several pieces of news to share.


Campbell Award


I am in my second (and last) year of eligibility for the John W. Campbell Award for Best New Writer in the genres of science fiction and fantasy. If you are eligible to nominate works and people for Hugo Awards, you can nominate as many as five people for Campbell Award at the bottom of the Hugo ballot.

Please consider nominating me for the Campbell Award. Last year, it took only 40 nominations to get on the final ballot, so your five votes really do count.  

A list of people eligible to be nominated for the Campbell Award is posted at Writertopia. Clicking on a name will take you to a page telling you what work made that person eligible. Most pages also have a bio and a list of fiction publications and awards. My own page is at http://www.writertopia.com/profiles/ShaunaRoberts.

You don't need to nominate five works or people in every category on the Hugo ballot; in fact, you can leave entire categories blank. If you vote, the nomination ballot must be received by March 11. Thanks.

Novel Sale

Hadley Rille Books, the science fiction and fantasy press that published Like Mayflies in a Stream, will be publishing my novel Ice Magic, Fire Magic.  

Ice Magic, Fire Magic is a fantasy with strong romantic elements. Its heroine is a woman who is  incapable of doing evil and who must become the ruler of her world. Meanwhile, evil people who want to seize her power are out to stop her.

I wrote the novel to explore in more depth the good Kirk–bad Kirk dilemma: Can a person who is all good be an effective leader?

Ice Magic, Fire Magic has some cool elements I had fun creating. The land is sentient and chooses the ruler. The rulers are true servants of the people, and they go barefoot as a constant reminder that they should serve, not be served. Two species of humans share the land; one species wields magic, and the other relies on advanced technology. Women and men work different types of magic; their magic is complementary, and both kinds are needed for the land to thrive. A lonely, 1000-year-old evil spirit tries to influence both the good heroine and her evil opponents. And then there are the ice dragons and fire lizards.

The book is scheduled for publication in 2013.


Story Sale

My fantasy flash story "Moonlight, Reflected in Dewdrops" was published in the January 2012 issue of 10Flash Quarterly. You can read it for free at http://www.10flashmagazine.com/10flash-fantasy/moonlight-reflected-in-dewdrops/. 


 New e-Books

My novelette "The Hunt, " despite having been published twice, is hard to find. This science fiction mystery is one of my favorite pieces I've written. So I've put it up at Amazon.com as an e-book. You can find it at http://www.amazon.com/dp/B006WEVR7I.

I hope within the next week or so to put up my 1983 dissertation for Northwestern University (Evanston, Ill.) on mating behavior of Nicobar pigeons (Caloenas nicobarica) at the Lincoln Park Zoo in Chicago. Although mating behavior has been studied extensively in other pigeons, to my knowledge my dissertation remains the only such work on Nicobar pigeons, so it will be useful for a few specialists to have it available.

Of more interest to Novel Spaces readers, this spring, if all goes well, I will e-publish my epic fantasy novel Shrine of the Heavens. More on it later. 

Monday, November 21, 2011

World Fantasy Con: Can You Mix Science into Fantasy"

I went to World Fantasy Convention (WFC) 2011 in San Diego at the end of October, and the second panel I attended was on mixing science into fantasy.

The panelists were Greg Benford, Yves Meynard, Brent Weeks, L.E. Modisett, Darryl Murphy, and Edward Willett.

I did not stay for the whole panel because I wanted to get a good seat at the animal show. (Yes! The San Diego Zoo brought exotic animals to WFC, and for an hour talked about their adaptations. Very cool.) But even in what I attended, I learned several interesting things I'd like to share with you.

Edward Willett says that he likes to write fantasy in which the magic does not break physical laws of nature. However, after his steampunk fantasy was published, he received criticism that by having coal- and gas-based inventions that could be built and work in real life, he had taken all the magic out of the story.

Most or all of the panelists agreed that magic in fantasy should have rules (at least in the author's mind; it's okay if the characters themselves do not understand the rules) and that the rules should make sense. One panelist pointed out that if magic is not given rules, explicit or implied, then tension and drama are reduced because anything can happen (similar to the tension-draning effects of deus ex machina solutions in literature in general). That is such a great observation that I will repeat it again:
If magic is not given rules, explicit or implied, then tension and drama are reduced because anything can happen.
The panelists agreed, though, that some authors and readers particularly like figuring out rule-based magic, while for other readers, the wonder of the magical world is what they read for. Harry Potter's world may not make sense, but who wouldn't want to attend Hogwart's Academy?

Willett said that George R.R. Martin says that magic stands in for all the things in our real universe that we can't control. I searched today for the quote and didn't find it. However, I did find a recent interview with GRRM in which he says that for magic to work in fiction, it has to be mysterious. He does not believe in creating elaborate rules. (Full interview here.)

Modisett thinks also that magic especially appeals to people who wish things were other than they are. (Shauna's note: Perhaps this partly explain fantasy's appeal to children, who are loaded with so many unwanted rules and restrictions physically and socially.)

Personally, I prefer rule-based magic. It usually takes me out of a story if, for example, Michelle Pfeifer transforms into a twelve-pound hawk with nothing left over, breaking the law of the conservation of mass-energy. But if a story is good, I am willing to suspend belief. I loved Ladyhawke despite the unbelievable magic and many anachronisms.

What about you? Which type of fantastical story do you prefer? And why?

******
Los Angeles Appearance

I will be at the Los Angeles Science Fiction Convention (LOScon) this Friday, November 25. I speak on the panel "10 Beginning Writing Mistakes and How to Avoid Them" from noon to 2 pm; I sign copies of Like Mayflies in a Stream from 3:00 pm to whenever the next scheduled author shows up; and I will be on the panel "Short, Short Stories" (about ultraflash fiction) from 4:30 pm to 5:30 pm. I hope to see you there.

Until next time (December 6)!

—Shauna Roberts

Sunday, November 6, 2011

World Fantasy Con: Why Do Teens Read Dystopian Fiction?

Dystopian fiction has so overtaken science fiction and fantasy (sf/f) that only a small percentage of newly published books catch my interest.

I went to World Fantasy Con (WFC) 2011 in San Diego last week, and the first panel I attended was on why so much young adult (YA)  sf/f is dystopian. At last, I hoped, I would understand the appeal of the seamy side of life shown in so much sf/f today.

The panelists were Marissa Lingen, John Pitts, Lissa Price, and Chandra Rooney. Below are the main points I came away with.  Some are statements that panelists or audience members made, while some are conclusions I drew or my amplifications of the points.

Reasons why there's so much dystopian fiction for teens
  • Writers who got hooked on sf/f in the 1970s, when dystopias were common, are now writing what they read in their formative years.
  • Baby boomer authors, who grew up in the 1960s  with high hopes for a brighter future with regular travel to the moon and the end of bigotry and war, are disappointed in what happened instead. Their writing reflects their sense of hopelessness about society.
  • 9/11 influenced the mood of the country and made the future seem bleak.
  • A novel needs a conflict. A novel about a dystopia has a built-in conflict. Some conflicts in the past arose from social divisions based on class, wealth, race, ethnicity, or sex. These conflicts admit easier solutions than in the past.
  • Teens are under much more surveillance now. Schools have metal detectors. Surveillance cameras are everywhere. Parents can keep constant tabs on their kids through cell phones and social media. The "Big Brother is Watching You" aspect of some dystopian fiction rings true to teens because they are living that reality.
  • Helicopter parents have disempowered teens by trying to control what they read—a librarian in the audience said that parents come into the library with their teens to choose the books they will check out!—and making other decisions for them they should be making on their own. So the oppressive governments in dystopian fiction also ring true.
  • Teens today are less concerned about privacy and more concerned with assertion of independence. So they are attracted to the trope of a young person acting against authority to change the world for the better. Books based on that trope give teens a sense of empowerment.
Oddly enough, no one in the panel or the audience brought up the poor economy or the dysfunctional U.S. Congress. American teens do not remember a time in which young people got good jobs (or at least a job of some sort) or had a functioning national government. I don't view the United States as a dystopia because I have a long-range view; teens who have only been aware of the greater society for a few years may view the United States and other Western countries as dystopias, making traditional fantasy seem unbelievably utopian.

Other random comments made by panelists about dystopian fiction
  • Some people disapprove of dystopian teen fiction because they think it glamorizes a dark view of the world.
  • Publishers are getting away from the word "dystopia." One panelist's new book was labeled "futuristic thriller" instead.
  • Adults and teens may take away different messages from the same books. Teens of different ages may also take away different messages.
  • Old dystopian speculative fiction gets assigned as reading in high schools. (The panelist gave several examples; I got down only 1984 and Flowers for Algernon.) This gives dystopian fiction the status of literature. (She drew no conclusion, but if parents nowadays are choosing the books their teens read, I can see that parents might be drawn to sf/f that they think is "literature" and "less trashy.")
  • Most dystopias have a happy ending. (This surprised me.)
I thought the panelists' and audience comments made a lot of sense. I won't be increasing the amount of dystopian fiction I read, but at least I have a better grasp of its appeal for teens.

What do you like and dislike about dystopian fiction in sf/f, romance, or other genres? If you are a teen who reads dystopian fiction, do you agree with what the adults at the panel said? If you are a parent of a teen, why do you think teens are drawn to bleak books?


Thanks for stopping by today. I'll be blogging here at Novel Spaces again on November 21, when I likely will discuss one of the other great panels I attended at World Fantasy Con.

—Shauna Roberts

Wednesday, June 15, 2011

Guest author Dayton Ward: Reviews: You Can't Win

Dayton Ward is a science fiction author primarily known for his Star Trek novels and short stories. He published stories in each of the first three Strange New Worlds anthologies, making him the first author to render himself ineligible under the rules of that series. As such, future authors who achieved the same feat were said to have earned a "Wardy." You can find him at home on his hilarious blog, A Pimple on the Ass of the Internet. Be warned, though: you'll be spending a lot of time there.


Of course I read reviews of my work. Every writer does.

Okay, ninety percent of writers read reviews of their stuff, and the other ten percent lie about it, all right? Anyway, with few exceptions, reviews of my writing have run the gamut from praising my stories as the greatest gift to the printed word all the way down to being so bad that it’s not fit to serve as birdcage liner.

That’s right: The hyperbole is free whenever I guest blog.

When it comes to reading reviews, I pride myself on not getting too excited one way or another. I’m not saying I don’t have reactions to them. Who doesn’t want that warm fuzzy feeling you get when you find out someone loved your book? Is there anything more satisfying than learning how you connected with a reader on some emotional level? Yes, it’s great to read glowing praise for something you’ve written. The trick is not to buy into the hype; to not let it distract you from continuing to work at improving your writing with the next project.

Besides, let’s not forget about those unfavorable reviews, right? Some of those make me laugh, while others cause me to grit my teeth so hard I get a headache. There are those “reviews” where I know…I just know…that the person didn’t actually read the book before rendering their verdict. On the other hand, there are those reviews which, while being very critical, do so in a manner that gives me food for thought. Such reviews make me realize that, yes, I could have done this or that better, and I set a goal to do just that with the next story.

Beyond that? I really don’t care about reviews. I tend to think that getting worked up about reviews—good or bad—is not at all a smart idea. For one thing, it can take time away from what you really should be doing, which is more writing. Also, becoming too invested in reviews can get you into trouble, particularly if you find yourself getting wrapped around the axle when someone decides they don’t like something you’ve written.

In recent months, there’s been more than one flap created by a writer taking none too kindly to negative reviews of their work, and doing so in a very public and—thanks to the internet—very long-lasting manner. In one infamous case which occurred just a couple of months ago, a writer took a reviewer to task on the reviewer’s own blog. The situation devolved from ill-advised to utter stupidity with but a modicum of keystrokes on the writer’s part. As I read the drama unfold, my mouth may have hung open in shock long enough that I’m reasonably certain fly eggs started hatching behind my molars.

As I commented after slogging through that particular slice of idiocy, “Reviews are the Kobayashi Maru for writers.”

I apologize to those of you who aren’t Trekkies and who likely don’t get the joke. In Star Trek, Kobayashi Maru refers to a training scenario inflicted upon cadets at Starfleet Academy. During this simulation, cadets acting as the captain of a starship are faced with trying to rescue the Kobayashi Maru, a crippled ship drifting in space behind enemy lines. The setup is a ruse, and as the cadet begins to make decisions and put his crew into action, the computer overseeing the simulation continuously modifies the scenario. Everything the cadet tries is countered, to the point where he and his hypothetical vessel face destruction at the hands of enemy ships. There is no way to win; there is no correct resolution. The simulation is a test of character, gauging the cadet’s reaction when faced with certain, unavoidable death.

For writers, I believe that reviews are a test of character, and responding to them is almost always a no-win scenario.

In the case of the writer who went ballistic on the reviewer’s blog, I Googled their name and the book being reviewed, and learned that people were talking about this incident everywhere, and not in a good way so far as the writer was concerned. In fact, the writer continued the fight for nearly two months after the original review was posted, with any semblance of professionalism and just plain good manners having been flushed weeks earlier. By the time a grudging, half-hearted apology full of excuses and justifications was finally issued, the writer and the incident had already become prime examples of what not to do when confronting a reviewer.

(Yes, I know I’m not providing the writer’s name or the book in question. To be honest, despite my initial reaction of “Serves you right, moron,” I actually feel sorry for the person…to a point.)

When it comes to fights like this, it’s like walking into an arena where you’re already outnumbered and hobbled, with the whole bloody universe watching you from the stands and cheering on the lions. Even if you “win” one of these shouting matches, what damage are you doing to your reputation and your career? In the current climate of social media, the immediacy of interaction between writer and readers can only magnify this problem. One ill-considered remark aimed at your readership can haunt you for months or years. An all-out jihad against a reviewer? Yeah, get ready for the backlash that’s coming your way, and be prepared to be the subject of many smarmy blog postings, most of them better-written than this one.

With respect to others reading what you write, the old adage about never being able to please everyone cannot be more truthful. Some reviewers will take absolute delight in pointing out the typos and grammar mistakes you missed even after proofing your manuscript six times. There are those who simply won’t like your writing style, or they’ll take issue with the subject matter. Others, doubtless believing they’re able to divine your political or ideological bent as they read your stories about zombies, vampires, Klingons or whatever, will believe you’re pushing some real-world agenda to which they take great exception. Heck, I’ve been called a wing nut coming at you from the left and the right, from different readers reviewing the same book.

Bottom line? Some way, somehow, you’re going to rub some reader the wrong way, and sometimes they’re going to make note of their displeasure in a public venue, be it their blog, some message board or the review space on Amazon.com. So long as they’re not saying anything that actually falls under the heading of libel, there’s really little to nothing you’ll ever be able to do about it. Attempting to right such perceived wrongs is only asking for more trouble than any supposed victory will ever be worth. It’s far better to cultivate a reputation as a writer who can take the heat, who welcomes a diversity of constructive opinions regarding their work, and who can shrug off the other stuff, even if the occasional review does make you grit your teeth until your head explodes.

In fact, you should buy writers like that a drink when you run into them at their next convention appearance, because more than likely they’re fun people to hang out with.

I’ll be at the Shore Leave convention in Baltimore in July.

Just sayin’.

Tuesday, May 24, 2011

Adventures in Book Signing

Last Month marked two firsts for me. I attended my first writer’s conference, Romance Slam Jam. I also had my first book signing. My books have been out for two years now so you must be wondering why I’ve waited so long to do a book signing. The simple answer: fear. I had always been afraid I would be that person surrounded by piles of my books, fidgeting and twiddling my thumbs while readers passed me by afraid to make eye contact.

But the book signing at the Romance Slam Jam conference was different. It was a mega book signing with scores of authors of African American Romance signing books at the same time. I was comforted in the thought that I would not be alone.

The authors were all arranged in alphabetical order so I just happened to share a table with the legend of AA romance, Rochelle Alers. She had been writing for over 25 years with scores of titles under her belt and a huge fan base, so you know I was intimidated. Here I was with my table piled with my books, sign in sheet for contact info and a beautiful smile to greet my readers. Ms Alers had herself and a pen only. But the line to Ms Alers’ tables stretched as far as the eyes could see. And mines? Well I was fortunate to have one or two saunter to my side of the table occasionally.

So I fidgeted with my pen. I made eye contact with Ms Alers’s fans hoping my charming smile would draw someone to my side of the table. I chatted on the cell phone. Then one by one, several of Ms Alers’s fans came over to my side of the table, the book cover having enticed them. Quite a few purchased my books for me to sign. Turns out, being next to a veteran was a good thing after all. People who had never heard of Jewel Amethyst were now interested in my books. I got new readers. Several have since contacted me via Facebook telling me how much they enjoyed my book.

And as an added bonus, I made a new acquaintance: a legend of black romance. She paid me the best compliment a veteran could pay a novice. She asked me to sign her copy of my book. I was in writer’s heaven!
So what’s your book signing adventure?