First off, the chapters:
Show and Tell
Characterization and Exposition
Point of View
Proportion
Dialogue Mechanics
See How It Sounds
Interior Monologue
Easy Beats
Breaking Up Is Easy to Do
Once Is Usually Enough
Sophistication
Voice
Even the most seasoned writer needs a remedial course on all
these things once in a while. Beginning writers are probably clueless on many
items, such as voice. This book concentrates on craft. Craft is hard to explain,
it’s one of those “I know it when I read it.” But finely crafted writing
elevates a book to a whole other level.
In addition to clear writing, great examples and even cartoons,
each chapter follows with a “Checklist” that asks questions to make sure you
have a clear understanding of what was covered. Then there are exercises and answers
to the exercises in the back of the book.
While there is a tendency to sit down and consume a writing book
as if it were a novel, I feel with so much info, nothing really sinks in. The
most effective way to use this book is to read a chapter, go to your manuscript
and check your first chapter to see if you covered all the points. Read Chapter
Two, apply what you learn to your second chapter while also correcting what you
learned in the first chapter. The more you put the ideas into your own
manuscript, the more automatic it becomes.
Whenever I lecture to writing classes, I push this book. At
this point, I should be receiving royalty checks for sales.
Yes, and when you mentioned it to me a few years ago, I bought it and loved it. It gets to the heart of what a writer needs to know and do. The section on "sophistication" mentions some problem writing that none of the other "help" books I've read have ever gone into. It's about misuse of "ing" wording. I think one book had a sentence or two on the subject, but I've never seen it addressed like in Self-Editing for Fiction Writers. I copied that section for a friend who was rewriting her book and had asked if I'd noticed anything when I read it. Her use of "ing" words had stood out, so I copied that section and sent it to her. The Weekend Novelist Writes a Mystery, authors Ray and Remick, is also a good self-help book, but for totally different reasons.
ReplyDeleteThank you for your detailed comment and mention of yet another writing book we should all check out!
ReplyDeleteThanks for the great recommendation—and timely, too, since I'm just about to dig into edits on my second book!
ReplyDeleteI totally agree. Hands-down, this is the best book on the writing craft out there. It not only helps authors self-edit, but it actually helps improve writing, too.
ReplyDeleteDefinitely a good one. I need to reread it.
ReplyDeleteThis book has been a tremendous aid in self-editing. Sunny, thank you again for this suggestion
ReplyDeleteThanks for not one but two recommendations. Excuse me while i check on my ING words!
ReplyDeleteSounds like a great book, Sunny. I'm putting it on my list. Many writers I admire have mentioned it and it's time I got a copy.
ReplyDeleteI actually got this book. I think I need to clear off the dust bunnies and look at it again.
ReplyDeleteI just checked and it's not in any of my local libraries. Guess that means I'll have to buy a copy! Thanks for the recommendation.
ReplyDeleteThanks, Sunny -- adding this one to the reference library!
ReplyDeleteSince I earn my rent by editing as much as writing, I have always proceeded from the assumption that a writer is too close to the ms to edit it properly. Either that, or a lot of writers are thoughtfully providing me with work. But you've sold me on picking up a copy Self Editing for Fiction Writers.
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